Peter Freeman, Inc., founded in 1990, represents leading international artists and the estates of several generations, spanning the 19th, 20th, and 21st centuries, and specializes in important historical works with particular emphasis on early Pop, Minimal, and Conceptual Art. 

The gallery presents at least five exhibitions each year of work we believe is especially relevant to the art of our time. Solo exhibitions highlight the rich way in which artists respond to the materials, forces, and questions of the day. Focused group exhibitions explore significant movements, themes, and ideas that continue to influence and define our culture. The historic works handled by the gallery over the past thirty years are broad-ranging and can often be defined by their rarity and significance. 

In 2006, Peter Freeman partnered with Galerie Nelson to establish what would eventually become Peter Freeman, Inc., Paris in 2013. The gallery, both in New York and in Paris, has always presented historically significant works in conversation with newer work by living artists. For this reason, much of our business has been with museums.

Peter Freeman also publishes scholarly books, including a catalogue raisonné Robert Mangold: Early Works, with text by Robert Storr; the first US catalogue on the works of Charlotte Posenenske; several catalogues on Medardo Rosso; James Ensor: Paintings, with text by Xavier Tricot; the first monograph of Catherine Murphy, with text by John Yau and Svetlana Alpers; a facsimile edition of Mangelos’s Pythagoras with an essay by Branka Stipančić; and the artist book Tide, a collaboration with Silvia Bächli and the writer Jamaica Kincaid. 

The gallery is a member of the Art Dealers Association of America.